SixtyEight Art Institute is a non-profit art institute which focuses on giving young artistic and curatorial talents the opportunity to imagine and present new exhibition-making possibilities, and asks how these can intersect with other institutions and organisations. The institute is dedicated to strengthening the independent and practical approach to artistic production through its programme and the events at our physical exhibition space for contemporary art in the centre of Copenhagen. The institute dedicates one or two months of its annual programme to exhibitions planned by external curators and artists, which are supplemented by a public programme, seminars and publications with peers and scholars connected to the research topics and agendas in the exhibition programme. SixtyEight Art Institute’s programme for 2016 – 2017 aims to consider the connections between Nordic, European and International developments within curatorial and artistic research and how these intersect with contemporary sociology, science, literature and philosophy. SixtyEight Art Institute is an intimate space, both in terms of the way audiences meet with art and the ideas it generates, and in the way the institute works closely with partners and focuses on co- productions. SixtyEight’s main focus is to continue forging links between International, European, and Nordic Region art production. With this in mind (and at a fundamental level) SixtyEight Art Institute will be working as an independent space dedicated to making a difference to and having an impact on issues of diversity, creative exchange and artistic development.
SixtyEight is run by Iben Bach Elmstrøm and Christopher Sand-Iversen.
Iben holds a BA (Hons) in Fine Art from Sir Cass and an MFA in Curating from Goldsmith's University.
Christopher studied a BA in Art History at the Courtauld Institute of Art and an MA in Visual Culture at the University of Copenhagen.
SixtyEight Art Institute was established as 68 Square Metres in a paint factory from the 1940s, which had been given to cultural entrepreneurs and small creative business for a number of years. We created an exhibition space in an old laboratory within the existing industrial structure, which was part of a dynamic group of artists, musicians, designers, event organisers, and urban gardeners. Together we brought a new set of possibilities and cultural activities to the area. We were at the same time part of a movement of exhibition spaces and commercial galleries to the East Amager quarter of Copenhagen, and took the opportunity to initiate and organise a coordination of the galleries and cultural activities in the neighbourhood through a concept called First Fridays. The aim was to promote the visibility of and access to the more remote locations in the industrial neighbourhood.
SixtyEight has now moved to the centre of Copenhagen, to a listed building which has a rich history of artistic craft, having been built in 1732 for goldsmith Melchior Frederik Zeise. Here we will continue our aim of bringing the most interesting Danish artists together with those from abroad.
SixtyEight Art Institute is supported by Statens Kunstfond, Bikubenfonden, and Pernod Ricard
Various SixtyEight projects have been supported by:
Københavns Kommunes Billedkunstudvalg
Amager Øst Lokaludvalg